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Nativity Beads: a poem & an essay exploring alternative interpretations of the Luke 2 story

Nativity Beads

pendant.

we think we know the story
of how you birthed our God into our midst
— but this
is not quite accurate:

the tale of your time in Bethlehem
is overlaid by two millennia
of retellings —
tradition lining up beside tradition and

when my mind becomes
a tangled mess
trying to divine
which ones Really Happened

you come.

you calm.

you guide me from

my need to know one truth
into the sacred splendor
of a whole string of stories —

each one a bead
pregnant with its little piece of Truth,
a little link between me and
your Son and you.

___

first decade.

“it’s not so bad,” Joseph says hopefully
as he helps you settle down onto the straw.

the cave walls cut the chill;
the goat who ambles close to sniff you stinks but
oh, she’s warm.

you think of births you’ve overheard
at home — the neighbor women rushing in
to help. you expected the same for yourself

but, ah well, what has been expected
about this pregnancy?

___

second.

Joseph hovers, fervent but unsure
how to help.

“if i could take your pain upon myself…”

but there is no pain!
conceived as you were
free from Eve’s bane,

as you give birth
to heaven on earth
all you know is
bliss, bliss, bliss.

___

third.

Joseph is gone.
you can picture his desperate dash
from door to bolted door
off in the town

as you lie alone
on old straw — and, God! the baby crowns

with no one to help — so you reach down
into the mess of your own blood and

yours are the first hands to wrap around
the Son of God, red and slick and — oh sacred sound!  — screaming.

___

fourth.

Joseph is gone, but near — you know he waits
pacing and praying just outside the door.

in his place — women’s faces, smiling and soothing,
letting you squeeze their hands as hard as you need

or bustling about to heed Midwife’s decrees.

the guest room was too small to hold this congregation
so you were helped into the central room
to birth the Son of God right in the heart
of this small peasant home.

the poor know how to serve one of their own.

___

fifth.

you close your eyes as agony subsides
between contractions. see yourself as one bead
upon a long strong string stretching centuries —

you are one

with Jochebed biting down to mute her moaning,
Rebekah grateful for an end to her rough pregnancy,
with Hannah, Ruth, Bathsheba, Hagar, Rahab, Leah, Eve,
and millions more unnamed. you share their groaning,
their labor, their relief, their ecstasy.

your baby crowns; the women round burst out in Glory be!


This poem was written by Avery Arden and belongs to them. If you want to use it in a worship service or elsewhere, let Avery know! You can reach them at queerlychristian36@gmail.com.


Essay

My Advent devotions this year include praying a daily rosary. Meanwhile, I’ve been fixating upon a certain reading of Luke 2’s “no room at the inn” passage that suggests Mary gave birth not in a stable, but someone’s home (more on that in a bit). As I meditated on various iterations of the Nativity tale while moving through my rosary, this poem was conceived.

This poem is structured after a rosary. For my non-Catholic friends out there who may not be familiar, a rosary is a long string of prayer beads with a crucifix or other cross hanging down from five decades, or clusters of ten beads each. Here’s a diagram (from this site):

id: diagram of a Catholic rosary with blue beads. A crucifix dangles from the bottom of a string with five beads on it, which is connected to a longer string that connects like a necklace; this longer string has five clusters of ten beads each, and every cluster has one bead between. The diagram labels different beads with their assigned prayers; for instance, each cluster is labeled as one of five decades, with 10 Hail Marys, a Glory Be, and an O my Jesus prayer. The beads between each decade are labeled “Our Father.”

You start at the crucifix and pray along the “pendant,” the strand that hangs down with five beads; then you make your way around the five decades. For me, the rosary offers a way to embody my prayer and to enter into a meditative state as I move from bead to bead and repeat the prayers. As an autistic person, having a tactile point into which to pour all my energy, one point of sensory input to overshadow all the others, is a powerful way to put aside all else and hone in on Divinity.

Pondering one story each decade is a traditional way to pray the rosary — the recommended ones are explained on this site; but for the past week or so, I’ve been imagining the Nativity over and over, a little differently each decade.

Versions whose events contradict each other — a painless Mary versus a groaning Mary; Mary alone or Mary with midwives; Mary dismissed to the outskirts or settled in the heart of a Bethlehemite home — all found their place, side-by-side, along that line of beads. As I took time with each story, the sense of contradiction as conflict faded away.

Little truths rose to the surface of each version, something to savor, a fresh facet of the story of God entering into human life. I can’t know which one was “most historically accurate,” but I could contemplate what each version says about God’s movement in Mary’s life and ours — what good news each version proclaims into our world.

So what is some of that good news? I’ll touch upon the various visions visited by each “decade” of the poem.

The first decade is self-explanatory, I think — it sets up the version we encounter in Christmas pageants, nativity sets, the Charlie Brown Christmas special… In this version, “no room in the inn” means that whatever lodgings a visitor to Bethlehem could usually expect were all full up. Though no Gospel mentions an innkeeper at all, we can all picture that figure well enough; he’s been woven into being by the dramatizations of generations. Whether heartless or apologetic, he can’t provide a bed for a pregnant girl and her husband; but look, there’s the stable, with plenty of straw and a little space among the livestock.

I have long cherished this narrative through a liberationist lens — that God chose to enter the world at the margins of the margins emphasizes Their intimate identification with the most oppressed and erased of our world! Humanity did not make room for the God who so loved the world They squeezed Their infinity into finite, vulnerable flesh; just as our human systems fail to make room for the survival and thriving of so many persons.

The second decade incorporates a bit of Roman Catholic doctrine that states that Mary felt no labor pain — since Catholicism holds that she was born miraculously free from original sin, she was likewise free from the consequences of that sin (see Genesis 3:16, where God informs Eve that her labor will be painful). Though raised Catholic, I didn’t learn about this tidbit of Mariology till late high school. I remember feeling…oddly betrayed? A facet of Mary’s relatability, her humanness, felt stripped away; her pedestal of larger-than-life perfection seemed to stretch a little higher. But this past week, I’ve taken the time to imagine a painless labor for her, and even if it’s not the story that speaks to me loudest, I have found some richness in it.

The third decade imagines Mary alone, following after Eastern Orthodox tradition. I pondered the significance of this version of events — why place Mary by herself as she births God on earth? Does her isolation foreshadow the sense of desolation her Son would feel decades later, on the cross?

What arose most strongly in me as I envisioned this version was a sense of joy and rightness — that Mary’s would be the first hands to touch the Divine she’d carried within her for nine months; that hers would be the first eyes to take in Word made flesh.

The fourth and fifth decades move away from the Nativity versions that have enjoyed the most traction and expansion over the centuries. We do away with barns and innkeepers, and bring some new characters to the stage: midwives!

Bringing midwives into the nativities I imagined as I prayed brought me deep joy. Midwives show up in various places throughout scripture — God Herself is depicted in the role of midwife in places like Psalm 22:11 (see this article for more on midwives in the Jewish Bible). Meanwhile, the most famous human midwives are probably the named, heroic women Shiphrah and Puah of Exodus 1, who protect the newborns of enslaved Hebrew women from Pharaoh. The role such women played was a life-bringing one, and imagining the relief and comfort a skilled midwife would bring teenage Mary filled me with gratitude for whoever this unmentioned woman may have been.

In “The Accommodations of Joseph and Mary in Bethlehem,” Stephen C. Carlson explains, “Childbirth was the riskiest moment in the entire pregnancy during antiquity, potentially lethal for both the mother and child. Whenever possible, women about to give birth relied on the help of relatives, friends, and midwives in and around town” (pp. 340-341). I love imagining Mary encircled by so much support as she labored to birth the God of the universe.

Carlson and other scholars suggest that it was the presence of all these Bethlehemite women at Jesus’ birth that necessitated a lot of space for the event. This brings us at last to that famous line from Luke that notes a lack of room…in the inn? or somewhere else?

I promised I’d return to readings of Luke 2:7 that argue Jesus was born not in a stable, but a house — so here we go!

At first glance, Luke 2:7 seems fairly straightforward. Since we’re talking about tradition here, I’ll offer the KJV’s version:

"And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn." 

However, digging into the Greek of the text and into the socio-cultural context of the story uncovers some complications.

It turns out that the Greek word that most traditionally gets translated as “inn” here has a broader meaning than that. The word is kataluma (κατάλυμα), and it’s only used two other times in the Gospels (or the NT as a whole): in Luke’s and Matthew’s accounts of how Jesus’s disciples found a room for the meal that we now call the Last Supper. Here’s Luke’s account (22:10-12; NRSV translation this time; with the translation of kataluma bolded):

“Listen,” he [Jesus] said to them, “when you have entered the city, a man carrying a jar of water will meet you; follow him into the house he enters and say to the owner of the house, ‘The teacher asks you, “Where is the guest room, where I may eat the Passover with my disciples?”’ He will show you a large room upstairs, already furnished. Make preparations for us there.”

(Side note: if you want to read about that person with a jar of water through a trans lens, check out the section of my webpage over here titled “A Simple Jar of Water.” It’s fun stuff! but not related to the discussion of kataluma.)

How can one Greek word mean both “inn” and “guest room”? The noun kataluma is tied to the verb kataluó (καταλύω) — kata + luó = “to loosen thoroughly.” When journeying with pack animals, you’d only “thoroughly loosen” their straps and packs when stopping for a long rest. Thus the verb came to mean “to take up lodging;” and the related noun, the kataluma of both Luke 2:7 and 22:10, came to stand for those lodgings — whether that was some natural shelter like a cave; a tent; an inn; or a guest room in someone’s house.

Meanwhile, there is another Greek word that means “inn” specifically — and the author of Luke uses that word in his version of the Good Samaritan story, when the Samaritan brings the man mugged and left for dead to a pandocheion (πανδοχεῖον).

So if Luke’s one other use of kataluma (22:11) refers to a guest room in a private home; and the one time he wants to specifcally refer to an inn (10:34) he uses a different Greek word…why do the vast majority of English translations of Luke 2:7 state that there is no room for Mary’s labor “in the inn” rather than “in the guest room”? (Or, to avoid making a claim in either direction, why don’t more translations apply a broader phrase like “there was no room in the lodging place”?)

To reiterate, it’s certainly possible that kataluma refers to an inn when used in Luke 2:7 — but it’s not the only possibility, or even necessarily the most likely one.

If Luke 2:7 is saying that there is no room in Bethlehem’s inn, then the classic stable setting (or a cave, as in the second century Protoevangelium of James) makes sense. However, some scholars contest

  1. whether Bethlehem, being so small, would even have had an inn, with the duty of taking in strangers passing through instead falling upon individual families; and
  2. whether Joseph and his wife would have stayed in such an inn, even if it did exist.

The reason Joseph and Mary are journeying to Bethlehem is for a Roman census, for which “all go to their own towns to be registered” (Luke 2:3). In “An Improbable Inn,” Andy Mickelson explains that Roman censuses typically required people to register not in their ancestral town, but wherever they owned property; thus one might conjecture that Joseph “had traveled to Nazareth previously to seek work or (more likely) to retrieve his fiancée Mary and bring her back to his native Bethlehem” (p. 14).

Mickelson cautions that there are some complications in the Luke text that curtail certainty in what exactly happened (visit page 15 of his article to read more about that); but

"regardless of whether Joseph’s family home was in Bethlehem or whether it was just his ancestral home, Joseph’s ties to the village are key in determining how the κατάλυμα of 2:7 should be understood. If Joseph truly was a native son of Bethlehem, then he almost certainly would have stayed with close family members. Bruce Malina remarks that Joseph 'would have been obligated to stay with family, not in a commercial inn.' He also points out that 'if close family was not available, mention of Joseph’s lineage would have resulted in immediate village recognition that he belonged and space would have been made available.' Thus, even if Joseph was only linked to Bethlehem through lineage, that lineage would have been enough to earn him the hospitality of a distant relative. Arguments that the homes of Bethlehem would have been filled to capacity due to the census disregard the simple fact that Roman registrations took place over a period, not a single day. Regardless, an added measure of hospitality could certainly have been expected due to Mary’s pregnancy."

In placing the Nativity in a barn, stable, or cave, we run the risk of disregarding how central hospitality was to the people of Jesus’s time and place.

When I imagine the people of Bethlehem failing to find proper accommodations for the pregnant Mary and her husband Joseph, I can’t help but think of another city destroyed nearly two thousand years before Jesus’s birth — Sodom, which invoked God’s wrath by replacing hospitality to strangers like Lot with attempted violence against them (see Genesis 19). The people of Bethlehem may have been poor and oppressed, but hospitality was their way of sharing what they had and practicing their devotion to the God who instructed them to care for the stranger (e.g. Exodus 23:9; Deuteronomy 10:19; Leviticus 19:34).

Hospitality was a vital virtue not only for the Jewish people, but for various other groups in this time and place. In scripture, we find a gentile widow sharing what she believes is the last of her resources with a stranger, the prophet Elijah (1 Kings 17). Under the epithet Xenios, the Greek God Zeus embodied the moral obligation to provide strangers with hospitality. Likewise, the Romans viewed hospitality as the divine right of any guest, and the divine duty of any host. I imagine that members of any of these cultures would have expected divine wrath to follow the failure of a whole village consigning a pregnant traveler to a lonely stable!

No matter how poor, crowded, or busy Bethlehem was, I have come to doubt the presumption that not one of its residents took pity on Mary and Joseph and welcomed them in.

So let’s say we accept that Jesus wasn’t born in a stable, but someone’s house — likely the home of Joseph’s relatives. In that case, there’s still one more bit of cultural context we need to make sense of this “new” version of the story:

No matter how we translate kataluma, Luke 2:7 says that Mary laid Jesus in a manger — why the heck would there be a manger, a feeding trough for livestock, inside a house?

It turns out that mangers were totally something you’d find inside first-century Judean village houses: rather than having a separate building for their livestock, families would keep their animals outside in the courtyard during the day, and bring them inside their own homes at night. The same room in which the majority of human work and life took place during the daytime became the sleeping quarters for livestock, complete with feeding troughs:

"Typically, the main room was divided into two sections at different elevations separated by about a meter. The animals were housed in the lower section, the people slept in the upper section, and mangers were located between them." (Carlson, p. 341)

Levant homes had followed this practical arrangement since the Iron Age: one space for livestock and humans kept the animals safe from theft; plus all that body heat kept everyone warm in colder months (Mickelson, p. 17).

id: Here’s a diagram from Kenneth Bailey’s book The Bible through Middle Eastern Eyes depicting a “typical village home in Palestine with attached guest room. The diagram is a rectangular shape; the largest room is labeled the family living room and has two ovals labeled “mangers” to the side, next to a smaller segment labeled “stable.” To the right of the family living room is a “guest room,” or kataluma.

To wrap up our exegetical exploration, let’s tie all this — the manger, the midwifes, the word kataluma — together…

starting with a return to Luke 2:7:

"And she gave birth to her firstborn son and wrapped him in bands of cloth, and laid him in a manger, because there was no room for them in the kataluma."

In this “new” reading, Mary is surrounded by village women headed by a midwife as she gives birth. And she is not alone in a stable on the outskirts of town, but in a peasant home — and not in a guest room or little side room of that home (because that kataluma is either full of other guests or simply too small for all the women), but right in the house’s central space.

As Mickelson summarizes,

"Luke records Mary as placing Jesus in a manger because there was no space for them in the κατάλυμα. There are two plausible reasons for this. First, the guest room might have been taken by other guests, requiring Joseph and Mary to stay somewhere else in the house. While the traditional image of Bethlehem teeming with visitors for the registration is an exaggeration, it is likely that if Joseph had come for the event, others (even members of his family) may have returned as well, and the guest room may have been occupied by someone else.

The other possibility is that there was not sufficient space in the κατάλυμα to accommodate Jesus’s delivery. Childbirth in antiquity was a dangerous procedure for both mother and child, and it is likely that Mary would have been assisted by a midwife as well as the women of the house. The κατάλυμα of the Last Supper was noted for being large, but these guest rooms likely varied in size. If the room in which Mary and Joseph were staying was small, Mary would have relocated to the main room of the house, where there would have been plenty of space for the other women to help with her delivery." (p. 17)

Mickelson moves on to explain why all this matters — which I bet you’ve been wondering if you’ve read this far (or even just skimmed to this point).

If the traditional placement of the Nativity in a stable on Bethlehem’s outskirts emphasizes God’s entrance into the most marginal space possible, what does placing Jesus’s birth in the heart of a peasant home emphasize?

Mickelson argues this setting also fits the theme of Jesus’s intimate identification with the marginalized and oppressed, as it solidifies the everydayness of his arrival:

"This reading of Luke’s infancy narrative makes the story of Jesus’s birth even less unusual than the traditional reading of the story. Being rejected from an inn and being forced to give birth amid animals gives Jesus a humble yet noteworthy beginning: Jesus is born in desperate and memorable circumstances.

But placing Jesus’s delivery in the main room of a Bethlehemite home gives him a birth narrative similar to probably thousands of Jewish babies. Nothing about the circumstances is extraordinary: being swaddled was a common experience for infants, and the most that can be inferred by being placed in a manger is that the home may have been crowded and there was nothing else approximating a crib available. 

In short, Luke portrays Jesus entering the world in a rather unremarkable way." (p. 18)

Thus this “new” reading of the Nativity story is packed with richness for the liberationist reader! As a TL;DR to close this essay, I’ll summarize some of that richness now.

  • In any reading of the Nativity — whether it takes place on Bethlehem’s outskirts or in its heart — Jesus is born to nobodies in a nowhere town. His parents are brown Palestinian Jews living in subjugation to an Empire; they are impoverished; and they are dependent on the hospitality of others who share their poverty and oppression.
  • Though the narratives surrounding the actual birth scene in Luke’s Gospel — replete with angelic messages and praise-songs from priests and shepherds, a teen girl and an old widow — make the importance of Jesus’s arrival clear, for the actual moment of birth, Jesus is just one infant of thousands born in a typical peasant house. He really is just one of the poor, one of the common folk. He makes the margins the center.
  • Do we do a disservice to the poor whom liberationist theologies are supposed to center when we claim that the people of Bethlehem — from the innkeeper of our pageants to whatever relatives Joseph may have had there — fail to provide a pregnant teenager and her husband with better accommodations than a barn or cave?

    A reading that imagines village women supporting Mary through her labor; that imagines the main room of a house given over for her use, is a reading that celebrates the generosity and hospitality often demonstrated by poor and oppressed persons.

    From birth and beyond, Jesus relied upon the solidarity and generosity of his fellow poor.
  • Any possibility of an antisemitic reading of the Nativity story (that “the Jews” rejected Jesus from his very birth by refusing his parents space in their inns or homes — I’m not saying most people do interpret traditional Nativity stories in this way, but the possibility is there) are also avoided with this reading, where Jewish Bethlehemites assist in his birth.
  • This reading also speaks to how Jesus makes room for himself amid our mundane mess!

    Jesus does not wait for us in some remote corner, so that we can go to him when we decide we’re ready, on our terms; he bursts into our bustling, the everyday chaos of an average peasant home. God compels us to make space for the Divine in the center of our lives, ready or not!

Whether or not you are on board with this “new” version of the Nativity story, I hope that, if nothing else, my poem and this essay open you up to the possibilities of scripture — the richness that can come from daring to reimagine stories we think we know by heart. The more familiar a story, the less likely we are to consider new ways of reading it; but just look what is born when we step away from the familiar to explore what lies beyond, even if only for a moment!

What else? Which Nativity stories speak to you?


Resources / Places to Learn More:

  • This Guardian article, which sums the information up pretty succinctly
  • Stephen C. Carlson’s scholarly article that goes more in depth, and argues that kataluma has a generic sense of “place to stay” that fits a variety of readings
  • Andy Mickelson’s scholarly article that likewise goes in depth, including a look at extra-biblical Greek sources that also use kataluma; and that makes some arguments about the significance of one’s interpretation of kataluma to the broader Lukan narrative.
  • My friend Laura discusses the idea of the Nativity taking place in a peasant home’s central room in the context of disability theology in their podcast episode here. They parallel Jesus’s birth story with the story of Zaccheus, where Jesus invites himself over to the tax collector’s home (“I must dine with you!”) — in both stories, Jesus announces his reliance on others for shelter and sustenance, unabashed.
Categories
Catholic vibes Holy Days lent My poetry Reflections for worship services

Lent births herself this year – Pandemic 2021

Lent births herself this year, no midwife braving
the cold to come to her and coax her out
with strong sure hands
into a thankless world.

Lent crackles like a sheet of ice this year
creaking underfoot her timeless chant
memento mori
remember the sudden plunge the icy fist that grasps the lungs
to beings sick to death of that same song
and bodies wrung bare
from holding themselves at arm’s length for so long.

Unbidden
Lent comes.

Unwanted
Lent comes.

Yoke gentle
this year
Lent comes.

One fist opens to expose the ash
she’ll paint upon your brow
if you’ll let her.

In a year bereft of touch
you may shiver as her fingertips brush flesh
and startle at their warmth.

And once
you’ve let yourself be marked by dust
Lent’s other fist will open for you
gentle as spring’s first petals.

This palm glows with embers
that flicker out Lent’s second song:
This too remember
o frail Dust — you’re born from Splendor
and Splendor thrums within you even now.

Lent births herself this year
into a world already stripped bare

and beckons to the embers in her palm.
Come. This year
they need only the faintest breath to stir them.
Come.



This poem was written by Avery Arden. If you use it in a service, credit them and link to this site.

About this poem:

I wrote this before the sun rose this Ash Wednesday morning, my sleeping wife’s warm limbs embracing me, her breathing a steady rhythm at my back. Be gentle to yourselves and to others this season, beloved.

Many souls are already weary in this time of pandemic, and Lent is the last thing they feel like embracing. But Lent is not suffering for suffering’s sake, or increasing our burdens as some kind of challenge for ourselves. Lent is for acknowledging what suffering already is present in the world, and bearing it together; Lent is an intentional remembering of what binds us, all of us, and nourishing those ties.

Lent is stepping into solidarity – alongside Jesus on his journey to crucifixion – with the tortured and discarded of the world.

Lent may just be what our tattered spirits and weary bones need right now.

The concept of splendor comes from Sister Macrina Wiederkehr, who writes in A Tree Full of Angels:

“Why shouldn’t our experiences be filled with God? Who do we think it is who is breathing in us? Where do we think this ache has come from? And has it ever crossed our minds that God, too, has a deep yearning for us? …You are the dwelling place for the Source of All Life. You are an offspring of the One who said, ‘I Am who Am.’ If the One who gave you birth lives within you, surely you can find some resources there in your sacred Center. An expert lives within you. An expert breathes out you. Your life is entwined with the God who gave you birth. Frail dust, remember, you are splendor!”

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advent Catholic vibes Reflections for worship services

Advent: a time to embrace the Divine in us

“Dust, remember, thou art Splendor!”
– Sister Macrina Wiederkehr in A Tree Full of Angels

If Lent is a time to admit to our Dust –
the death that awaits us, the sin that permeates our cells,
our littleness and our frailness and our need –

perhaps Advent can be a time to embrace our Splendor:
our intimate connection to Divinity
who gave birth to us,
who calls us Good and calls us to be better,
who is the breath within our lungs and the warmth in dancing bodies.

Divinity embraces mortality;
God entered our world and fused the physical with the Divine
so inextricably that we can declare
that every cell of us pulses with Splendor, despite the infection of sin.

Now is the time to be a womb for Splendor,
nourishing it within ourselves.

Now is the time to prepare for the labor:
the teenage girl birthing God into the world.
God birthing a new world around us,
inviting us to serve as Her midwives.


About this piece: I first wrote this in Advent 2019 for Instagram.

If you’re interested in more on Sister Macrina’s concept of “splendor,” here’s the longer passage from which the pull quote was taken:

This brings me to the heart of this book, which is trusting the God who speaks to us in our experiences at every moment. No one ever gave me permission to trust my own experiences as prayerful and holy. It was something I stumbled upon, like a treasure hidden in a field. …In recent years, I seem to hear God say, ‘Put your books away. Be with me. Trust your experience. There are no experts in prayer, only people who have been faithful to the ache.’

…Why shouldn’t our experiences be filled with God? Who do we think it is who is breathing in us? Where do we think this ache has come from? And has it ever crossed our minds that God, too, has a deep yearning for us? …You are the dwelling place for the Source of All Life. You are an offspring of the One who said, ‘I Am who Am.’ If the One who gave you birth lives within you, surely you can find some resources there in your sacred Center. An expert lives within you. An expert breathes out you. Your life is entwined with the God who gave you birth. Frail dust, remember, you are splendor!”

Categories
advent Catholic vibes Reflections for worship services

Reflection: Advent is the Time of Mary

Advent is the Time of Mary:
The time for us to take notice
of one whom this world deliberately ignores –
a woman of color, a poor woman, a teen mom, a refugee.

Was Mary meek and mild?
Not if those words are about
unquestioning submission, fearful passivity.

Only if those words are about inner power,
restrained for the sake of the vulnerable –
not the power of violence
but the power of compassion.

Not the trust of one foolish and without questions
but of one thoughtful and bold
and unafraid to ask an angel, “What does this mean?”

Mary the Mighty, Mother of the Meek,
you who guided the first clumsy steps
of the God of the Universe,

You said yes
to social ostracization, yes
to the heavy metamorphosis of pregnancy,

yes to God’s inrushing revolution
in which the lowly are pulled up from their ashes
and tyrants pulled down from their thrones.

And so all generations call you blessed –
you whom the world would see stoned.

All-powerful God,
You who let go of your omnipotence
in favor of interdependence,

it is a wonder to behold
a woman’s body shelter you, feed you,
knit your cells together –
just as You once knit her.

You depend on her, and she will not fail You.
May I be able say the same.



I first shared this reflection on my Instagram during Advent 2019, and included the following text as a caption:

Mary’s yes to God (see Luke 1:26-55), freely and triumphantly given, was no passive yes: she said yes to interdependence with her God. 

God’s request was not to overpower her or control her, but to enter into a relationship of mutual need:

Just as God kept every cell in her body spinning, so she would nurture God’s new physicality within herself – and then, after birth, feed God and keep God safe, teach God to walk and talk and read. 

God desires a relationship of mutual yes, mutual care and need – a relationship of interdependence with each of us. 

How do you say yes to this simultaneous empowerment and vulnerability, yes to living into a fullness of yourself that simultaneously serves others?

Categories
advent Catholic vibes Holy Days My poetry Reflections for worship services

Advent reflection: “Virgin” Mary, Teen Mom

Mary, teen mom,
in those uncertain days

between your jubilant “Yes!” to God seeking shelter in you
and Joseph’s “yes” to marrying you
despite your indiscretion (daring to get knocked up out of wedlock! Did childhood friends desert you? Did your father weep in shame?)

would you have laughed, disbelieving, if informed
that the primary epithet bestowed on you
by those future generations who call you blessed…
is Virgin?

Mary, teen mom, against whom every packed inn turned its back, about whom, maybe, neighbors laughed
and mothers told their daughters, “Don’t be like her
(spitting your name like a nasty thing)…

You relate to the round-bellied girl
eating alone in a cafeteria crowded with harsh stares;

You relate to the girl singled out at church
for wearing a “too-short” skirt,
blamed for the lust of grown men
who ought to pluck out their eyes for looking at her at all!

…yet the words fastened to people like these are much less pretty
than what you are called.

Mary, teenage rebel! –
You who embraced impropriety with a song

you, full of grace but called disgraceful
by men who would have you stoned –

what in heaven’s name
does virginity have to do
with you?

…Unless for you, virginity means
not “no” to sex
but “yes” to choosing for yourself,
defining yourself, controlling your own body, your own life.

Hail, you
who looked the status quo
square in the eye – and laughed!

Hail, you
who saw the Grace in being called disgraceful
by a world not ready to be turned on its head.

Hail, you who defy categorization:
virgin or slut,
child of God or God’s own mother,
obedient servant or the one who knew
Jesus would do all you told him to do
(and thus you brought fine wine
into a world that’s parched for it)…

Teach us this defiance, devout rebel!
Teach us your fervor for God’s revolution,
your thirst for liberation from convention.


If you this piece it in your own service, please credit it to Avery Arden and link to binarybreakingworship.com. I also invite you to email me at queerlychristian36@gmail.com to let me know you’re using it!

About this piece: This devotional from Advent 2019 was my first attempt at explaining why I love and look up to the Virgin Mary – whether she never had any sex in her lifetime, or had a little bit of sex, or had sex hundreds of times. Regardless of her sex life, she is holy, powerful, and worthy of honor – and she knows what it is to have your sexuality used against you, whether to vilify you or to put you on a dehumanizing pedestal.

I draw from ancient ideas of virginity as being about whether a woman had a man in control of her (be that her father, guardian, husband, or son) rather than about whether one has had sex. See Pallas Athena, Artemis, and the Vestal Virgins of ancient Greece.

I speak more on Mary’s virginity in this YouTube video.

Categories
Catholic vibes Holy Days My poetry Reflections for worship services

poem for the First Sunday of Advent

As a child packs a snowball
tight and firm and
cold seeping even through their mittens
into palms

so You
once packed the Universe
into a ball scarce larger than
the pomegranates that had yet to burst
into being…

But still a greater miracle awaited!
— a denser packing of Infinity
into small single atoms —
You! You

curled Your endless Being up
into an embryo

oh! You who grew
the cosmos on a particle of Breath

You packed Yourself down into
near nothingness —
and waited.

You waited there
in warm dark roundness till
the time had come for Her to birth you,
wet and bloody, into an uncaring world.

Somehow
the Being who could wear the galaxy
like a bangle
nursed and grew and toddled,
walked among
us tiny beings of the frail bones…

i’ll never, ever
ever fathom it.

Divinity! if i could hold You now
as Mary held you, in my quaking arms
i think i might just know why You sustain

each instant — now, and now, and now again —
all of existence.

Seed upon the palm
tucked lovingly into a rich dark soil

infant on the breast
fed lovingly from one’s own aching flesh

— but not yet. Not yet —
already, yes — and still
not yet.

with Earth i wait for You
with bated breath.


If you this piece it in your own service, please credit it to Avery Arden and link to binarybreakingworship.com. I also invite you to email me at queerlychristian36@gmail.com to let me know you’re using it!

About this poem: I’ve been going through a time of spiritual stagnancy as religious trauma caught up to me…so it was a gift to awaken a little after midnight on this first Sunday of Advent with images of Divinity and Roundness glowing in my heart like embers, reminding me of birth and rebirth and the eternal sustaining breath of God.

The Creation and the Incarnation are intertwined for me – when I think of God birthing the universe, my mind eventually wanders to the human who birthed God, and vice-versa.

And through the way our liturgical year returns us over and over to the story of God’s entering into Hir good, good world; and the story of God’s creative act lasting not an instant but over all ages, I think of Meister Eckhart’s declaration:

“What does God do all day long? God gives birth. From the beginning of eternity, God lies on a maternity bed giving birth to all. God is creating this whole universe full and entire in this present moment.”

Here are notes about some of the images in this poem:

On the image of the pomegranate for the Big Bang event – have you ever sliced into a pomegranate and pulled the halves apart with enough force for those rich ruby seeds within to fling themselves upward, sideways, all about? That bright explosion is to me a fitting image for that first flinging of dust into infant stars, scattered across black space.

“…the Being who could wear the galaxy / like a bangle…” – this line is inspired by Bengali poet Rabindranath Tagore’s depiction of the Lord of the Dance, Shiva, with celestial bodies whirling round his dancing ankles. You can read more of it at this link, but here are the most relevant lines:

Rebellious atoms are subdued into forms at thy dance-time,
the suns and planets, anklets of light, twirl round thy moving feet, and,
age after age, things struggle to wake from dark slumber,
through pain of life, into consciousness,
and the ocean of thy bliss breaks out in tumults of suffering and joy.

- Rabindranath Tagore 

Shiva’s dance is the source of all movement in the universe; it also frees humanity from ignorance and illusion. This conception of Divinity as Dancer resonates deeply with me, and links well in my mind to the Big Bang event – a dance begun so long ago continues into the present and for all time, ever sustaining and constantly transforming the cosmos that Divinity so loves.

“…seed upon the palm…” – we return to the image of a seed, but this time it’s the hazelnut of Julian of Norwich’s visions. In her vision, Christ hands Julian a ball no larger than a hazelnut and tells her that all of Creation is contained within that small globe:

“I was amazed that it could last,” Julian says, “for I thought that because of its littleness it would suddenly have fallen to nothing. And I was answered in my understanding: ‘It lasts and always will, because God loves it; and thus everything has being through the love of God.’” 

There is not a speck of matter in this universe that is not loved by God, that is not nurtured and watched over by its Creator, who revels in the stars and celebrates the blood pulsing through your fingertips. It is the creative energy and life-bearing power of this Love that forms and sustains each and every one of us. And it is that Love that moved God to slip off Infinity and step into flesh. Already this impossible event has taken place – and yet…we return to it yearly. Await it yearly. Yearn for it yearly.

The already and not yet of God’s Kin(g)dom is a Mystery that I almost think I begin to grasp when I think on the wonder and waiting to which we return as one, every Advent.

Categories
Catholic vibes My poetry

poem: Mary, Mother of us, your transgender children

The angel said to her, “Do not be afraid, Mary, for you have found favor with God. And now, you will conceive in your womb and bear a son. …
Then Mary said,
“Here am I, the servant of the Lord;
let it be with me according to your word.”

– Luke 1:28-38

This is a story of Mary consenting to enter into a disreputable condition, trusting that despite all appearances she is entering into holiness.

– Out in Scripture

______

you said Yes
to stoning.

you said Yes
to your mother seizing you by the wrists, yelling into your face
demanding to know who did this to you — to your father
weeping as you had never seen him weep, asking what he had done
that you would turn out like this, that you would do this to him.

Mary, teenage girl with the unplumbed brown eyes
Mary, hailed full of grace by a heavenly being
you said Yes to disgrace, to excommunication,
to childhood friends abandoning you, to the isolation
of no “decent person” daring to associate with you.

and as your body transformed in wondrous ways —
God’s feet forming, kicking, making
a rich round hill of your stomach,
God dependent, sustained by naught but a flimsy cord
connecting Them to you,
God! growing, becoming in the darkness of your womb!

— most did not celebrate with you.
your joy grew as your body changed,
and their snide comments, harsh stares
could not pierce your euphoria

— except for sometimes, when they did.
and for those sometimes,
when the rejection was too much, when
you crumpled at your bedside
weeping, shouting to God and whispering to Them
begging to know why your neighbors’ hearts are so hard,
why your father cannot be moved to share your joy,

my heart aches with its fullness of empathy for you
and you for me – empathy sharp as a sword
or maybe a needle: pricking, piercing,
and stitching back into wholeness –

so that when i came to you on my knees that night
sorrowful and scared and begging you to be
my Mother still, begging you not to disown
your queer little not-girl,

you bent down and picked me up, your soft strong arms
shielding me from the world’s stares, your soft calloused hands
loosening the rope around my neck, and you whispered
soft and fierce, am your Mother, I am
Mother to all like you, and I will not let any
who run to me be destroyed.

Queer Mother! – a motherhood thicker than
blood, deeper than the waters of the womb,
a relationship fashioned by a shared Yes
to disgrace, a fervent Yes
to the hard but healing path to holiness –

Mama, my Mama, i run always to you
and you give me the strength to shout with all my might
God! let it be done to me according to your word!
transform me.


If you this piece it in your own service, please credit it to Avery Arden and link to binarybreakingworship.com. I also invite you to email me at queerlychristian36@gmail.com to let me know you’re using it!

About this poem: This is one of my favorite poems from my collection The Kin(g)dom in the Rubblewhich you can purchase here.

Categories
Catholic vibes LGBT/queer My poetry

poem to Our Lady of the Wayside: the queer little not-girl revisits their childhood church.

these pews were once my home
but their backs are to me now.

“you changed. too much you changed” they accuse
without speaking to me
and they gawk
without meeting my eyes.

in the windows your robes
and your son’s
are far too gilt
to be yours,

your skin too white,
too smooth. hairless.
callous-less. Mary, where
are the dirt and sweat
of the rugged roads
your blistered feet trudged out?

what are these false eyes
pale as standing water
where brown eyes deep as rich earth
dark as the secret grove
should be?

those glass eyes stare off
into something too distant to be
the Kin(g)dom of
a skin-swaddled God
a beggar’s flaking palms
a cast-off seed.

but
Maria della Strada,

in your corner you see —
you se
e — me!

their backs are to you, too.

Mary, Mother
of the long and potholed road
no one bothers to patch

Mary, Mother
of refugees and castoffs

of crumbling wayside shrines
that only bruised knees discover

let me sit with you as you nurse
God’s hungry, toothless mouth

and i will gather wildflowers
to crown your unwashed hair.


If you use this piece, please credit it to Avery Arden and link this website. I also invite you to email me at queerlychristian36@gmail.com to let me know how you’re using it!

About this poem:

“Maria Della Strada” is the Italian form of Our Lady of the Wayside, and a statue of her can be found in my childhood church. Maria Della Strada is a patron of the Ignatians, and Our Lady of the Wayside is a patron of travelers, but I also imagine her as a patron of those left behind on the wayside by churches tied to power.
She is Mary who knew what it was to be an outcast and to embrace impropriety in order to follow after God’s call for her; she is Mary who protects those shoved to the margins and who inspires us to build our sanctuaries there.

I wrote the following about this poem on my instagram back in September 2019:

I wrote this poem a couple Sundays ago after going to Mass for the first time in a long time. I started out in a pew but felt like everyone was staring at me to the point that I could feel panic beginning to clutch at my lungs, restricting my breath — so i awkwardly went and sat in a back corner with a statue of Mary for the entirety of the service.

Ever since my first inkling I might be queer quite some years ago, Mother Mary has felt like a comforting protector — whenever I talk to her about it, I feel nothing but love and acceptance from her, and her desire for me to embrace how God had made me and use my queerness to honor her Son. I was grateful to have her in my corner (literally, ha) that Sunday when I felt too anxious to be seen.

Even so, when I went to Mass again this past Sunday and managed to, ya know, sit in a pew like a normal person, I realized my feeling of being gawked at and cold-shouldered was probably more my anxious imagination than reality. Trauma at being rejected by some Christian groups has led to my brain, body, and spirit developing a cynical shield — better not to trust anyone so I can’t be hurt again. Better to hide myself and shield myself, to assume the worst from the start, than risk opening myself up to community only to receive hatred instead.

The cynicism that had me thinking “no one’s going to join me in this pew, to dirty themselves by sitting by this queer who dares enter the house of God,” was quickly exposed as false by a family with young children sliding into my pew. “Oh…they’re not scared I’ll be a Bad Influence on their kids? Huh. …And… no one is staring?? Sure people are glancing at me but that’s normal; the hostile glares I could have sworn I saw last week just aren’t there.” I was able to relax, just a little bit, to calm my fight-or-flight adrenaline-rush enough to feel like I was truly worshiping God with my fellows in the pews, instead of worshiping God in spite of them like the week before.

…The thing I need cishet Christians to understand is this:

It is so. hard. to enter a non-affirming church (or honestly even an affirming one) as a queer person — especially as a visibly queer and trans person. There is so much trauma and fear built up in my psyche that I can’t help but assume the worst of everyone there. I’m glad I went back to Mass a second week to continue to work through that anxiety — because while it’s certainly not unfounded, I know that God calls me to a sort of vulnerability and trust and openness that is so difficult to achieve when you’re dealing with trauma and marginalization!!

When you have been wounded before by fellow members of the Body of Christ, by people who claim “all are welcome” but then turn on you when you show them who you really are….how do you heal enough to be vulnerable again? How do you know which ones you can trust and which ones will attack?

LGBT/queer Christians: How do we be “wise as serpents and innocent as doves,” balancing trust with rationality, vulnerability with self-protection? What do you do to prepare yourself to enter a Christian space?

Cishet Christians: what work can you do to help make LGBTQA folks feel truly safe and welcome in your faith spaces?